CryptoArt Sundays: Interview with Carl Ansloos

Last month we interviewed Carl Ansloos to learn about his experiences with monetizing NFTs. Today our CryptoArt Sundays interview continues as he talks about learning the crypto-economy, navigating the space and future plans.

The “nft artist disappears” is a problem that has been plaguing the NFT world for a while. The issue has caused many artists to leave the scene, and it doesn’t seem like it’s going away anytime soon. In this interview, Carl Ansloos talks about his experience with crypto art, and how he managed to stay in the game even after being hit by such a high-profile scam.

Hello, and welcome to CryptoArt Sundays! Carl Ansloos’ work is just stunning, and I recently discovered it. And, oh, do I have a visual treat for you down below.

His work is really vibrant, flowing, and wonderful. I was scrolling through Twitter when I stumbled across artworks from his “The Masquerade” NFT series. The artworks instantly piqued my interest, and I was curious as to who created these incredible masterpieces.

So, like I always do, I contacted Carl and asked him to share his magic with all of us CryptoArt fans. So let’s get started and learn more about his NFT art adventure so far, as well as his experience as a modern artist.

What drew you to construct your own NFTs and how did you learn about the NFT space?

I initially learned about the NFT space in early 2021 while reading stories about the work of artists like Trevor Jones on the internet. The atmosphere was electrifying, and I was meeting artists from all over the globe rather than just from my own neighborhood. There has never been such an outpouring of creative energy on such a worldwide scale before.

I believe that most artists are naturally imaginative and open to new ideas, therefore the task of learning about this new technology piqued my interest. The benefits of minting an artwork on the blockchain include reliable provenance, self-governance, reduced commission costs, and the possibility of royalties from secondary sales.

The work that is being done in the space has motivated me; artists are pushing limits and violating old standards. It was a no-brainer for me to get right in and begin exploring. Prior to this, I had been considering virtual places and new methods of displaying and viewing art during the lockdown.

How frequently do you make something?

I create on a daily basis; certain days are dedicated to planning and advertising, but the majority of my time is spent painting, which is my passion.

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How do you go about coming up with ideas?

Traditionally, I start my paintings with a brunaille or rough underpainting or sketch. The composition is then built up utilizing my own unique thoughts and sketches. I mostly work in oil or acrylic, adding detail and modifying elements as the painting progresses.

It’s not uncommon for new ideas to emerge just as I believe the painting is completed, overriding the initial intention. Visions and dreams are common sources of inspiration and ideas.

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Do you have any CryptoArtists with whom you’d want to collaborate?

There are an increasing number of poets, authors, performance artists, and musicians in the space, in addition to many wonderful artists. In the future, I believe a joint effort combining art and poetry would be a fantastic undertaking.

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What do you believe CryptoArt’s future will be like?

It’s hard to forecast and travels at breakneck pace. Every day, fresh breakthroughs are made, and some remarkable individuals are working behind the scenes. I’d like to believe that mainstream acceptance will increase.

We’ve already seen excellent IRL events like NFT Paris, Miami, New York, and, most recently, Los Angeles, so I expect to see more of this. The location is also attracting the attention of art galleries. Art shows, both virtual and in person, are becoming more popular, and some forward-thinking fashion designers are designing the most cutting-edge wearables.

As display technology advances and becomes more affordable, I believe you will see more digital art on display in public spaces and private businesses.

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What are you working on right now?

I’m now working on a new body of work called ‘The Masquerade collection,’ which celebrates uniqueness and self-expression. The notion of the masquerade is used in this hand painted series to highlight the adoption of a ‘alter ego’ or avatar, as well as the link between anonymity and personal empowerment. While researching these topics, I’m hoping to encourage innovation, variety, and creativity in this environment. It’s a subject that has long piqued my curiosity, as seen by my previous works.

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What are the locations where collectors may locate your work?

KnownOrigin is where I’m currently collecting. 

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Carl Ansloos is the creator of CryptoArt Sundays. This interview with Carl discusses how he created the project, what it means to him, and some future plans for the future of cryptoart. Reference: nft stolen art.

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